Hello World

Destructural Video was a blog that I began in 2009 whilst I was a BA Fine Art student at the University of Cumbria. Originally used as a means of sharing research (photos, essays, website links, videos etc) on a very specific strand of video art history (glitch aesthetics, creative misuse of equipment and so on) that I found particularly interesting, it then led to a number of personal artworks/assignments for my course, the main subject for my final year dissertation, a short-lived but quietly influential Facebook group and a one-off curated screening organised as part of Leeds International Film Festival in 2011. Just as the concept was gaining some traction and interest from fellow video artists, curators and supporters (as well as future political author/activist, Malcolm Harris), I wiped all of the blog posts and the Facebook group from the internet, abandoned the "Destructural Video" concept I created and left a barebone trace of its former presence online. As much as I would love to say that it was all a carefully planned decision, it was more a case of personal struggles in my life getting in the way that lead me down a self-destructive path, thus I eradicated most of my presence online. Glitch happens!

Anyway, given that I haven't updated this blog in years and I noticed that some of the links on the right were dead, I've since fixed them all (including, most importantly, my BA (Hons) dissertation). In addition, I've added archive grabs of the old Facebook group that I ran in 2011 which I subsequently discovered on an old hard drive. I still have some old research information that I collected between 2009-2011 too - maybe I'll repost some of these online too.

In the meantime, I highly recommend that you visit the blog Video Circuits run by my good pal and early DV supporter Chris King who kept tirelessly championing obscure video art history when I didn't! In addition, his Video Circuits Facebook group has now become quite the important resource for all creators and researchers of analog video art synthesis. Please show your love and support to Chris as he's always done the same for me, even during my dormant years!

And a bonus link - Isabella Adronos contacted me years ago to share her BA dissertation that explored glitches and the sort in analog film. I think it makes an excellent companion read to my video counterpart, so please check that out too. I hope you're keeping well, Isabella, wherever you are!

What else... oh yes, if Clint Enns is reading this, I hope you're keeping well too and you're now living somewhere much warmer than Winnipeg! Your curation, videos and KG uploads were very inspiring to me whilst putting my ideas together and you tipped me off to so much great work. However, I read your Structural Digital Video article for INCITE and it would have been nice if you made a reference to my dissertation (where else could you have made the connection to Bill Viola's Hatsu-Yume but from me?) - but still, I forgive you! There's a link to said article on the right, along with his Centre For Destructural Design manifesto, conceived with Andrew Milne in 2010.

Of course, we're all guilty of parallel plagiarism; after submitting my dissertation and graduating, I subsequently discovered and read Lucas Hilderbrand's chapter in his 2009 book Inherent Vice (published earlier than my dissertation) which coincidentally shared quite a surprising number of quoted works and thoughts much like mine... if I knew about that whilst writing mine, I would have had to start my approach over again.

Well, that's about all for now. Until next time (2029?)...

John McAndrew
October 2019